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Danse Macabre Piano Sheet Music: Solo or Four Hands, by Level

In Four Hands, Two Sonatas, the two leads share one piano for Saint-Saëns’s Danse Macabre. Search for the sheet music, though, and you will find solo arrangements, four-hand duets, two-piano scores and “easy” versions at every level, so it is hard to tell which one to get.

See Danse Macabre sheet music on mymusic5

Should you choose solo or four hands?

If you’ll be practicing alone, get a piano solo. If you have a partner and want to share one piano like the leads in the drama, get a four-hand duet (one piano, two players). On mymusic5, the Instrumentation field in the product details shows Solo, Four Hands or Two Pianos, so check it before you buy.

Piano soloFour hands (one piano)Two pianos (four hands)
You need1 piano, 1 player1 piano, 2 players2 pianos, 2 players
Score layoutUsually a grand staff (2 staves)Both parts in one score (usually 4 staves) or separate partsA part for each piano
Good forPracticing alone, recording a coverTeacher and student, duets with a friendRecitals or studios with two pianos
Watch out forOne player covers melody and accompaniment, so it can get busyPlaying in time with your partner takes extra practiceEasy to confuse with one-piano duets

Playing it as a duet: primo and secondo

In a one-piano duet, the player on the upper half of the keyboard is the primo and the player on the lower half is the secondo. Ernest Guiraud’s four-hand arrangement, published by Durand in Saint-Saëns’s lifetime, already labels its parts “Seconda” and “Prima.” The secondo holds down the bass and the rhythm while the primo leads the melody, and in Danse Macabre the two roles are especially clear.

Nineteenth-century score where the Seconda part opens with D notes numbered 1 to 11
Opening of the Seconda part in Ernest Guiraud’s four-hand arrangement of Danse Macabre (Paris, Durand & Schoenewerk), counting midnight with numbered D’s. Source: IMSLP, public domain

Let’s look at freestyle pianoman’s four-hands score from the table. In bars 1–12 the secondo strikes D twelve times for midnight while the primo only adds long held chords above. After a bass introduction, the primo hammers out Death’s violin chord, the tritone A–E♭, in bar 25, and from bar 33 the primo’s right hand takes the waltz theme while the secondo plays the oom-pah-pah accompaniment. When you first play it together, lock in just two moments, the secondo’s twelve D’s and the first chord in bar 25, and the whole piece will sound far steadier.

Danse Macabre sheet music by level

We picked one sheet for each format and level and opened every score ourselves; the notes in the last column come from those scores. Levels are the ones each seller set in the store.

FormatSheetStore levelPagesWhat we checked in the score
SoloTHIS IS PIANO “Easy version”Beginner2Original G minor, shortened to 61 bars
SoloEasy Piano “very easy, short”Beginner3Transposed to A minor (no key signature), both hands in treble clef
Four hands (one piano)Easy Piano “very easy duet”Beginner4An easy duet transposed to A minor (no key signature)
SoloTHIS IS PIANO “Intermediate version”Easy4Original G minor, longer than the Easy version
SoloSora Hong “Solo Piano Ver.”Normal6G minor, opens with a left-hand bass introduction
Four hands (one piano)freestyle pianoman four-hands versionNormal28The secondo opens with the twelve D’s that strike midnight
Four hands (one piano)Bella & Lucas “Danse macabre (4 Hands)”Hard13Written for one piano, includes a 7-page short version
Two pianosKLAVlER “2 Piano, 4 Hands”Hard24Piano I and II each have a full two-hand part
SoloKLAVlER “Solo Piano”Expert17G minor, original tempo marking “Mouvement modéré de Valse”
SoloLiszt arrangement (S.555)Expert46Engraving of Liszt’s solo transcription, includes an MP3 of the original
ViolinNUA Violin “Easy Violin”Easy9Violin part with piano accompaniment, includes an accompaniment MP3

We could not find an official score of the exact arrangement played in the drama. Sheets introduced as a “drama version” or “episode 2 version” are the sellers’ own arrangements, so listen to their performance videos and check the previews before you choose.

The solo instrument in the original is the violin, so there are violin parts and piano trio arrangements too.

What to check when choosing an easy version

Easy versions differ in how much of the original they keep and whether they change key. THIS IS PIANO’s Easy version, for example, skips the twelve strokes and the bass introduction and opens straight on the violin’s tritone chords in bar 1. The waltz theme arrives in bar 9, a second melody of long notes stepping down G–F–E–E♭ begins in bar 26, and the piece ends in bar 61. Both Easy Piano sheets in the table move the original G minor to A minor with no key signature. Check these points before you buy:

  1. Instrumentation: check whether the product details say Solo, Four Hands or Two Pianos.
  2. Level: check the level in the product details.
  3. Length: page count and labels such as “short version” or “excerpt” tell you whether it is the full piece.
  4. Preview: on the first page, check the key signature, range and whether the chords fit your hands.
  5. Performance video: if there is one, listen for the tempo and mood you want.

A waltz in the graveyard at midnight

Danse Macabre, Op. 40, is a symphonic poem in G minor that Camille Saint-Saëns composed in 1874; it was published in 1875 and lasts about seven to eight minutes. It began in 1872 as a song for voice and piano on a poem by Henri Cazalis; when Saint-Saëns expanded it for orchestra, he gave the vocal line to a solo violin.

The music tells of Death playing the fiddle at midnight while skeletons dance, until the rooster crows at dawn and they return to their graves. The harp strikes the same note twelve times to mark midnight, and the solo violin tunes its top E string down a half step (scordatura) to sound a tritone. The xylophone imitates rattling bones, and the chant melody Dies irae is quoted in the middle.

Saint-Saëns: Danse macabre, Op. 40 – Philharmonia Orchestra, Charles Dutoit
Saint-Saëns’s original Danse Macabre, Philharmonia Orchestra conducted by Charles Dutoit (Decca, official audio)

The whole piece moves in the triple meter of a minor-key waltz. If reading 3/4 still feels new, start with guide to note lengths, rests and time signatures.

In Four Hands, Two Sonatas, it is the piece the two leads play together on one piano: Choi Jeong-yo, who struggles with stage fright, sits down at the piano again while rehearsing it with Kang Pi-o.

강비오 & 최정요│생상스, 죽음의 무도 (C. Saint-Saëns, Op. 40) | 4hands piano
The Danse Macabre four-hands scene from Four Hands, Two Sonatas (official tvN DRAMA channel)

Piano versions from Saint-Saëns’s time

Danse Macabre was written for orchestra, so every piano score is an arrangement, but several piano versions were already published in Saint-Saëns’s lifetime. The main versions listed on the International Music Score Library Project (IMSLP) are:

ScoringArrangerPublished (per IMSLP)
Two pianosSaint-SaënsDurand, 1875
One piano, four handsErnest GuiraudDurand, 1875
Two pianos, eight handsErnest GuiraudDurand, 1876
Piano soloFranz Liszt (S.555)Durand, 1876
Violin and pianoSaint-SaënsDurand, 1877
Nineteenth-century score cover reading “Quatre Poèmes symphoniques pour Piano à quatre mains” inside an ornate frame
Title page of the four-hand edition of Saint-Saëns’s four symphonic poems, including Danse Macabre, Op. 40 (Paris, Durand & Schoenewerk). Source: IMSLP, public domain

IMSLP describes Liszt’s arrangement as a virtuoso transcription, and it is the Liszt (S.555) sheet at the hardest end of the table above. If you want to hear it first, try the performance by Hayato Sumino (Cateen) below. Sumino also sells his own sheet music on mymusic5.

Saint-Saëns=Liszt - Danse macabre S.555 / Hayato Sumino
Liszt’s Danse Macabre, S.555, played by Hayato Sumino (official PTNA channel)

Where to start

If you are new to the piece, start with THIS IS PIANO’s Easy version, which keeps the original key in 61 bars, to learn how the music unfolds. If you have a partner, a four-hands score that opens with the secondo’s twelve D’s is closest to the scene in the drama, and if you want the full brilliance of the original, Liszt’s arrangement is the goal to work toward.

See all Danse Macabre sheet music

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